African Literary and Intellectual Works Collection

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  • The letter, dated the 12 July 1960, sent to Todd Matshikiza by Alan Paton, includes a discussion about 'Lindiwe's song', which would appear in the musical 'Mkhumane'. 'Mkhumane' was a three-act musical that opened on the 29th of March 1960 at the Durban City Hall, with the lyrics written by Alan Paton and the music composed by Todd Matshikiza.
  • The letter, dated the 16th of January 1961, sent to Todd Matshikiza by Alan Paton, includes a discussion about 'Lindiwe's song', which would appear in the musical 'Mkhumane'. 'Mkhumane' was a three-act musical that opened on the 29th of March 1960 at the Durban City Hall, with the lyrics written by Alan Paton and the music composed by Todd Matshikiza.
  • The letter, dated the 28th of July 1961, sent to Todd Matshikiza by Alan Paton, includes a discussion of aspects (songs) to form part of the musical 'Mkhumane'. 'Mkhumane' was a three-act musical that opened on the 29th of March 1960 at the Durban City Hall, with the lyrics written by Alan Paton and the music composed by Todd Matshikiza.
  • The letter, dated the 7th of April 1961, sent to Todd Matshikiza by Alan Paton.
  • The letter, dated the 1st of June 1960, sent to Alan Paton by an unknown person (Neil Heimer?), providing suggested enhancements to 'Mkhumane'. 'Mkhumane' was a three-act musical that opened on the 29th of March 1960 at the Durban City Hall, with the lyrics written by Alan Paton and the music composed by Todd Matshikiza.
  • From the Preface: This volume presents a critically compiled and historically grounded narrative of Ntsikana, widely regarded as one of the earliest African Christian converts and hymn composers among the amaXhosa. Prepared originally in 1878–79 and revised for publication in 1914, the work represents the first sustained attempt to render Ntsikana’s life and religious influence into a coherent English narrative. The account is based on a triangulation of sources, including oral testimony from elders who personally knew Ntsikana or his family, family memory preserved through the author’s grandparents, early missionary periodicals, and archival documents. Central among the written sources are articles published in Isigidimi Samaxosa (1875–1888) and the rediscovered 1845 issues of Ikwezi, the earliest Kafir–English missionary periodical, printed at the Chumie Mission Press. The volume also preserves four hymns attributed to Ntsikana, transmitted through oral tradition and here recorded with both words and melodies, underscoring his role in the indigenisation of Christian worship in southern Africa. Supplementary appendices include contemporaneous writings by Ntsikana’s close companions—later known as Charles Henry (Matshaya) and Robert Balfour (Noyi)—as well as extracts from Charles Brownlee’s authoritative nineteenth-century reflections on Xhosa society. Together, these materials situate Ntsikana within the broader historical context of early missionary encounter, African religious agency, and the beginnings of Christianity among the amaXhosa. The work argues for the essential reliability of the narrative, noting that subsequent references and critiques have largely confirmed, rather than contradicted, its central claims.
  • A sepia-toned studio portrait of Paul Ngxamngxa, who is seated and leaning his head on his right hand. Lovedale College would have taken advantage of the University's African language examinations; Ngxamngxa earned a Lovedale qualification in 1880.
  • A collection of poems by M.E.M. Nyoka. This is the handwritten manuscript predating the actual publication of this unique Xhosa poetry in 1962.
  • A collection of poems by M.E.M. Nyoka. This is the handwritten manuscript predating the actual publication of this unique Xhosa poetry in 1962.
  • A collection of poems by M.E.M. Nyoka. This is the handwritten manuscript predating the actual publication of this unique Xhosa poetry in 1962.
  • A collection of poems by M.E.M. Nyoka. This is the handwritten manuscript predating the actual publication of this unique Xhosa poetry in 1962.
  • A collection of poems by M.E.M. Nyoka. This is the handwritten manuscript predating the actual publication of this unique Xhosa poetry in 1962.
  • A collection of poems by M.E.M. Nyoka. This is the handwritten manuscript predating the actual publication of this unique Xhosa poetry in 1962.
  • A collection of poems by M.E.M. Nyoka. This is the handwritten manuscript predating the actual publication of this unique Xhosa poetry in 1962.
  • A collection of poems by M.E.M. Nyoka. This is the handwritten manuscript predating the actual publication of this unique Xhosa poetry in 1962.